The nested film borrows key elements from the Bicycle Thieves, with the protagonist family having the same first names from the original, and the director intending to end the film tragically. It follows the story of a poor father searching post- World War II Rome for his stolen bicycle , without which he will lose the job which was to be the salvation of his young family. It slices our sense of reality into 15-minute chunks. There is still so much we have to learn about TV! The film goes beyond the themes of war and anti-Nazism and concerns itself with man's struggle to preserve human dignity. but somehow never has to shed a tear.That this is a satire and spoof of TV (and not De Sica's Bicycle Thief or old-time neo-realism itself) is immediately apparent when the TV film critic has to ask the name of the film he is critiquing. It was even done (to good effect) in Spielberg's Schindler's List (1993). It does.Caterina Sylos Labini who plays Maria, Antonio Piermattei's singing wife, is charming as the archetypical Italian femme fatale, a dark, lusty, earthy woman who can cry and laugh at the drop of a hat. Shop The Icicle Thief [DVD] [Region 1] [NTSC]. [2] The film won the Golden St. George at the 16th Moscow International Film Festival. Select Your Cookie Preferences. Martina is a professional lady whose clients are harmless if eccentric; she sees herself as a social worker. As a stark, black-and-white neo-realist tragedy airs on TV, bright color commercials disrupt the narrative. The director’s original plot followed the travails of Antonio Piermattei (Maurizo Nichetti) and his impoverished family: Antonio finds work in a chandelier factory, where he tries to steal one of the lights for his wife, Maria (Caterina Sylos Labini). Bicycle Thieves (Italian: Ladri di biciclette; sometimes known in the United States as The Bicycle Thief) is a 1948 Italian neorealist drama film directed by Vittorio De Sica. Stream Tracks and Playlists from The Icicle Thief on your desktop or mobile device. The characters bizarrely go from one "world" to the other while somewhere in between is the "real" world of TV viewers. Reviewing the film for the Los Angeles Times, Sheila Benson wrote, "Bless the Italians and their obsession with movies. Was this review helpful to you? Not Yet Rated 1 hr 30 min Comedy. The director Maurizio Nichetti is invited by a TV studio to introduce a screening of his best-known film, the neo-realist classic 'Ladri di saponette'. The English title of the newer movie, "The Icicle Thief", has no relation to the Italian title but instead is a play on "The Bicycle Thief". Having created a permanent niche in the hearts of the world's movie sentimentalists with Cinema Paradiso, they now let loose their secret weapon, writer-director-actor and comic extraordinaire, Maurizio Nichetti". Two Jewish boys escape from a train transporting them from one concentration camp to another. But Nichetti is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish colour commercials, and even more horrified when a power cut in the studio causes film and commercials to be mixed up -a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumer heaven. One ... See full summary », An army cadet accompanies an irascible, blind captain on a week-long trip from Turin to Naples. Written by Nichetti and Mauro Monti. 2 Followers. 90 min 7.2 1989 Italy Overview. Want to share IMDb's rating on your own site? Take a look ahead at some of our most anticipated superhero movies coming in 2021 and beyond. A movie director decides to pay homage to Italian Neo-Realism with an ingenious parody of De Sica's Bicycle Thief. You must be a registered user to use the IMDb rating plugin. The director’s original plot followed the travails of Antonio Piermattei (Maurizo Nichetti) and his impoverished family: Antonio finds work in a chandelier factory, where he tries to steal one of the lights for his wife, Maria (Caterina Sylos Labini). The captain, Fausto, who wants no pity, brooks no disagreement, and charges into every ... See full summary ». Listen to The Icicle Thief | SoundCloud is an audio platform that lets you listen to what you love and share the sounds you create.. 16 Tracks. Keep track of everything you watch; tell your friends. It gives us limited attention spans. Maurizio Nichetti, who might (and might not) remind you of Roberto Benigni, stars as Anotonio Piermattei, the icicle thief, the protagonist of the movie within a movie, which is a Bicycle Thief-like tragic film that the TV people manage to mangle into a TV-like romantic comedy. Last time I saw it was in Hollywood's Pleasantville (1998) where it was so cloying it annoyed; the first time magically in The Wizard of Oz (1939). 13 January 2011. Open for comments. View production, box office, & company info, The director Maurizio Nichetti is invited by a TV studio to introduce a screening of his best-known film, the neo-realist classic 'Ladri di saponette'. Nichetti also plays the auteur of the film being shown on TV who is invited to be interviewed but never gets to speak partly because the film critic who is to do the interview thinks they are viewing a different film.The title notwithstanding, this is not a satire or a "spoof" of Vittorio De Sica's internationally acclaimed The Bicycle Thief (1948), although De Sica himself might be seen as being lightly satirized. [3], The movie begins with an egotistical film director, played by director Maurizo Nichetti himself, discussing his latest film on an intellectual Italian TV channel which is about to broadcast it at short notice in place of a more highly regarded competitor’s. The Icicle Thief. His "masterpiece" follows the bleak travails of a poverty-stricken unemployed man (again played by Nichetti) who finds work in a chandelier factory, but cannot resist stealing one of the gleaming lights for his wife. Here the "film" is in black and white (as it's being shown on TV) and the commercials are in color. The Icicle Thief Bambú Cinema e TV Comedy. When he is informed that some American named "Prisney" (or something) has ... See full summary ». Because the world of TV commercials is the more fantastic, I think the technique works well here. Looking for more? However, it is generally understood that the film is critical of the impact of consumerism on art, as suggested by the contrast between the nested film and commercials, and the apathy of Italian television viewers in recognising the difference between the two. Luisa is a beginner actress dreaming about a career in the show business, Angela is university student and Carlina a part-time teacher. A young gentleman goes to Australia where he reunites with his now married childhood sweetheart, only to find out she has become an alcoholic and harbors dark secrets. But, as with many such films, the inner spirit frequently carries you over, and although Nichetti tells us practically nothing new about the global village, he certainly has fun with the possibilities". However, Nichetti manages to convince Maria and Bruno to return to the film universe with shopping carts of modern-day goods, with the Piermattei family reunited the satisfaction of the viewer (Carlina Torta). [9], "The Icicle Thief (1990) - Box Office Mojo", "16th Moscow International Film Festival (1989)", "Movie Review: 'Icicle Thief' an Ingenious Parody", "MOVIE REVIEW: 'Icicle Thief' an Ingenious Parody", Spotted Dog Running at the Edge of the Sea, Life as a Fatal Sexually Transmitted Disease, https://en.wikipedia.org/w/index.php?title=The_Icicle_Thief&oldid=1016833754, Articles containing Italian-language text, Creative Commons Attribution-ShareAlike License, Matteo Auguardi as Paolo Piermattei, Antonio’s baby son, Massimo Sacilotto and Carlina Torta as television viewers, This page was last edited on 9 April 2021, at 09:27. This is not to say that The Icicle Thief does not have its moments and its charm. He is the only winner of an admission test for a job, and just for this reason he isn't hired. So he becomes a barman, and he discovers a ... See full summary », Three girls share a flat in Milano in the '80s. Everyday low prices and free delivery on eligible orders. But in The Icicle Thief, a satirical fantasy about the way television butchers the movies it puts on, Italian film director Maurizio Nichetti 'discovers' these insights as though for the first time". […] But the parts which reveal, without self-conscious underlinings, the trashy TV culture in which we live, as well as the TV commercial switcheroos, are where it's worth watching". We use cookies and similar tools to enhance your shopping experience, to provide our services, understand how customers use … IMDb R. Tomatoes. I'll never tell.) Michael Brooke , This offbeat Italian comedy uses the familiar black and white/color dichotomy to indicate different worlds, a technique always in danger of being overdone. These and other TV-loathing observations, as most of us have asserted in everything from organized junior-high class discussions to alcohol-induced dorm-room rantings, are inarguably true. Confession: This was originally going to be a complete listing of Nathaniel Hood's Forgotten Classics Of Yesteryear, the amazingly underrated… [8], In The Washington Post, Desson Howe was less impressed, beginning by noting, "The TV thing, right? The satirical throwback to neorealism of postwar itally worked quite well. — … (1989). Check out the full list of winners. A cheeky satire of television and an ode to Italian neo-realist films, this playful movie features director Maurizio Nichetti playing himself. The amusing and entertaining adventures of a recently released mental patient and his band of misfits, discover conspiracies to concur while looking for love. For English-speaking audiences, the title was changed to The Icicle Thief, playing on the English title of De Sica's film. My favorite part of the film was the cute shtick with Maria's happy one-year-old daughter who crawls continually into mischief (grabbing a knife by the blade, putting an electric wire in her mouth, etc.) However any similarity between the film within a film here and De Sica's masterpiece is sycophantic. With Nichetti, Caterina Sylos Labini, Federico Rizzo, Heidi Komarek, Renato Scarpa, Carlina Torta, Lella Costa, and Claudio G. Fava. The Icicle Thief The Icicle Thief. I said it gives us limited attention spans. This title was justified by changing the wording of the English subtitles when the characters talk about some chandeliers and one is stolen. This FAQ is empty. As the title implies, the heart of all this is a parody of Vittorio De Sica's Italian classic ``The Bicycle Thief.'' The host, a snooty professor whose theories about film make about as much sense as selling ice-making machines at the North Pole, is contemptuous of the director. So Nichetti has to break into the film to try to sort everything out Reviews in chronological order (Total 0 reviews) Post a review. The director Maurizio Nichetti is invited by a TV studio to introduce a screening of his best-known film, the neo-realist classic 'Ladri di saponette'. [6], A power failure in the studio causes a model (Heidi Komarek) from one of the commercials to end up in the nested film's universe and disrupt the plot. The Icicle Thief. The opening with the tv critic stumbling to describe a film he has not seen is a perfectly on-target parody of the very school of criticism that leant these definitions to the movement. 1 of 2 people found this review helpful. Some feel The Icicle Thief was created as a spoof of neorealism, which predominated Italian cinema after World War II. The Icicle Thief ★★★ Ladri di Saponette 1989“The Naked Gun” for the arthouse crowd. "The Icicle Thief" needed dialogue, the way he seques from a tv broadcast of a film, blending the charactors crossing from the color commercial into the B&W film and charactors from his film migrating to the commercials was brilliant and surreal. [6], Nichetti is forced to enter the film universe to restore the original plot, but Bruno convinces Don Italo (Renato Scarpa) to shift the blame from Antonio to Nichetti for Maria's murder, after learning of Nichetti’s orphanage plot: this causes Nichetti to chase Bruno through the commercial universe before ending up in the commercial for floor wax, where Maria had been realising her aspiration as a singer. Get it at Amazon!). The TV audience, watching in their homes, are completely oblivious of the interruptions and the "outrages" perpetrated on the director’s artistic intentions.[4][5]. Nichetti then attempts to return to the real world, only to be trapped in the film universe after the viewer switches off the television set before going to bed.[2]. She found The Icicle Thief to be an "ingenious comedy", adding, "Pirandello rarely did it better and in The Purple Rose of Cairo Woody Allen didn't get this nuttily complex", before concluding that the film is "a lot like its creator--slight, ingenious and sneakily irresistible". The Icicle Thief has been constructed as a parody-come-homage to both its namesake, Vittorio de Sica’s The Bicycle Thief/Ladri di Biciclette (1949) and the school of Italian neo-realism that gave birth to it. Komarck looks like a member of the Swedish ski team draped in a lingerie outfit that leaves little to the imagination while speaking only American English. See the fabulous presenters and gracious winners at this year's Oscars. Lists that include The Icicle Thief. Re-viewing The Icicle Thief Tony Mitchell The Only Country in the World In March 1994 a group of nine film directors prominent in the recent revival of Italian cinema released a collaborative film entitled Lunica paese nel mondo (The On/y Country in the World). The Icicle Thief (Italian: Ladri di saponette) is a 1989 Italian comedy film directed by Maurizio Nichetti, titled in imitation of Vittorio De Sica's classic Italian neorealist film The Bicycle Thief (Italian: Ladri di biciclette). by Maurizio Nichetti, titled in imitation of Vittorio De Sica's 1948 classic Italian neorealist film The Bicycle Thief. But Nichetti is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish colour commercials, and even more horrified when a power cut in the studio causes film and commercials to be mixed up -a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumer heaven. It is tied to the movie through three lines of dialogue referring to chandeliers (one of them stolen during the movie) so sparkly they look "like icicles" - but this word occurs only in the English subtitles! Howe goes on, "The parts of Icicle […] that bash the boob tube comprise the film's least enlightening elements; they're facile, almost sophomoric. (Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" THE ICICLE THIEF **** (Masterpiece) Directed by Maurizio Nichetti. So Nichetti has to break into the film to try to sort everything out, Comédies qui m'ont fait rire selon les époques, Best of Both Worlds: Color and Black & White- Part 2, Michael Brooke . She is contrasted with Heidi Komarck, a colorized blonde model in a butch haircut who does TV commercials. So, to the extent that a "Big Big" candy bar jingle and a laundry detergent superhero triumph over a black and white neo-realistic film, we can see that triumph as a satire of television and its middle-brow audience. An ex-army scout is hired by ranchers to kill cattle rustlers but he gets into trouble with the corrupt local officials when he kills a boy. 74. When Antonio manages to smuggle a chandelier out of the factory, he is supposed to be paralysed by a traffic accident with a truck while riding home with the chandelier (just after the plot diverges due to a power failure). Use the HTML below. The pompous director is initially pleased with the seriousness with which his work is analysed, but he then becomes distraught when his black-and-white opus is repeatedly interrupted by full-colour commercials. Sometimes the ice was so thick that people could walk from one side to the other or cross in horse and carriage. THE ICICLE THIEF opens with the real director of the film arriving at a TV studio to be interviewed about his latest movie. There are no reviews yet for this film. Title: Soon ads invade the the movie itself, and the film's director jumps into his picture to fix the damage. The Icicle Thief Review. Overall, however, Howe concluded that: "things become a little too convoluted and Icicle joins that crowded group of Italian movies with an apparent inability to understand the concept of excess. It turns us into dumb couch potatoes. The director Maurizio Nichetti is invited by a TV studio to introduce a screening of his best-known film, the neo-realist classic 'Ladri di saponette'. The Icicle Thief (Italian: Ladri di saponette) is a 1989 Italian comedy film directed by Maurizio Nichetti, titled in imitation of Vittorio De Sica's 1948 classic Italian neorealist film The Bicycle Thief (Italian: Ladri di biciclette). Get a sneak peek of the new version of this page. Shy Maurizio dubs sound for cartoons while his outgoing brother dubs more saucy ... See full summary », Misadventures of Colombo, an engineer in Milano. TMDb Score. Obiviously inspired by Buster Keaton's "Sherlock Jr." and Woody Allen's "The Purple Rose of Cairo," Italian filmmaker Maurizio Nichetti's ``The Icicle Thief'' has the worlds of reel and real life colliding in a very funny spoof on modern entertaiment. A populist right-wing tabloid newspaper tries to derail the official police investigation of a brutal murder of a young girl in order to help the fascist and right-wing candidates it supports in the upcoming elections. The accident would have forced Maria into prostitution, with their two sons, Bruno (Federico Rizzo) and Paolo (Matteo Auguardi), ending up in an orphanage in the final scene. The film's Italian title Ladri di saponette, a play on the Italian title of De Sica's film, means "Soap Thieves"; it is justified by dialogue where a boy is told not to use up all the soap when washing his hands, and his mother wonders if he is eating it. The director Maurizio Nichetti is invited by a TV studio to introduce a screening of his best-known film, the neo-realist classic 'Ladri di saponette'. The Icicle Thief. (1 of 1) High resolution official movie posters for The Icicle Thief (1990) Directed by Maurizio Nichetti In the original Italian dialogue they are said to sparkle like pearls (pèrle) and drops of water (gocce), but in the English subtitles, they look "like icicles" (which in Italian would be ghiaccioli). The River Thames froze over on twenty three occasions between 1620 and 1814. Its commercials ruin the dramatic integrity of the programs they interrupt. Nichetti's The Icicle Thief is more like an identification as it attempts to stand with the art film solidly against commercialism. Written by This week's films. THE ICICLE THIEF says as much about the passivity of people who watch TV at home as it does about the indiscriminate, often odious, incursion of commercials. A strict father imposes impossible guidelines on his disabled daughter which reflect his secret, tortured life. On TV the only things that really matter are the commercials. An enthusiastic filmmaker thinks he's come up with a totally original idea: animation set to classical music! (If you're wondering how one can be an icicle thief, keep wondering. [7], Back in the film universe, Antonio laments the apparent loss of Maria and Bruno, and the possibility of the model leaving him due to the grim nature of the film. 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